The school is a bamboo-built structure on a raised timber platform and closely geared to the site and surrounding views of water and farmlands. The work is strongly archetypal, with the rectilinear plan metaphorically centred on a ‘hearth’ in the foyer. In that sense, the constructions of ‘Indigeneity’ are both formal and spatial. The building constructs an ‘Indigenous’ space and imagery which connects with the local spirit. It is a site of cultural production, an archetypal quest for an architecture that is sensitive to the local context and indigenous building tradition. - Editor
The display center offers a platform for the Rohingya women to create, showcase and sell handmade products to the visitors. The process of the making of the center was focused more on the participation of the users and the artisans than the usual top-down method.
For more than two years, the Bangladeshi host community has been sharing its resources with the Rohingya refugees in the world's largest camp in Kutupalong. The recent spike in violence in Myanmar's Rakhine State has become the new source of tension in the camp. With support from humanitarian organizations, this community centre is designed to relieve tension and build trust between the majority and minority groups in the camp.
The harrowing experience of conflict, displacement and associated stresses have disproportionately affected the Rohingya women and girls, who need urgent supports. Safe Space for Women and Girls, serving as a platform, allows Rohingya women and girls to advocate for basic services. The facility also plays a key role in providing women’s access to community support networks while strengthening social relationship.
This new science building, located in a remote village of Dumuria, Khulna, has created equitable opportunities by providing access to science education for the disadvantages. Hence, the merit of this project should not be assessed in terms of its architectural outcome only, rather by its contribution to empower the society -Editor.
From inception, design, and hands-on involvement in the construction, this project is an exhibition of architects' response to culture, climate, and available resources while having concerns for societal needs and inequities that are often ignored.
By realigning our sense of creativity with the creative principles of the universe, perhaps Architects can contribute to the healing of the Earth and achieve a relationship between manmade and natural world that is mutually enhancing. In designing a new mosque for Teradol community at Beyani Bazar, Sylhet, Nirmanik Architects sought to demonstrate the role of Architects as stewards of God’s creation while translating the eco-theological perspective into a tangible, realistic, metaphoric architecture that corresponds to the spiritual needs of the local community and leads inexorably towards a renewed relationship between Creator and His Creation - Editor