In the midst of rapid industrialization, those intricate details, elaborate motifs, and cultural gradations that once adorned the windows of Dhaka’s heritage buildings are sadly diminishing. Simultaneously, in their place, a universal trend of mass-produced windows with repetitive designs has emerged and dominating the city envelope of new architectural endeavors. This not only leads to a homogenization of architectural aesthetics but also weakens the connection to the city’s historical narratives. Those idiosyncratic stories that once whispered through intricate embellishment are being overshadowed by the standardized, cookie-cutter design.

However, the importance of preserving and promoting that intricate craftsmanship of the past needs recognition in order to ensure present architecture to reflect city’s unique history and also the context. Examples from the past also reflect integration of influence from different eras with local context. Ruplal House, an example of late Renaissance European architecture, has artistic window detailing having semi-circled arch on top with stained glass with lower opening having louvers to respect the local climate and context. Similarly, windows of Curzon Hall have European and Mughal influence with the traditional artistry of the time. Northbrook Hall, also locally called Lalkuthi is a fusion of Mughal and European architecture having prominent Muslim features incorporating local craftsmanship. Bulbul Lalitakala Academy, an institution of fine arts popularly known as BAFA, is an example of completion of British colonial era, has also influence of earliest style but in simplest way. Subsequently, this type of window style has become a popular choice for many households in old Dhaka, as it continues to be embraced and replicated in numerous dwellings.

About the Author:

Md. Ibrahim Badhan  has completed B.Arch from North South University (NSU) and is currently doing M.Arch from Bangladesh University of Engineering and Technology (BUET).

Contribution:  Illustration & Narrative.

Md. Faisal Hossen has completed B.Arch from American International University – Bangladesh (AIUB).

Contribution: Illustration.

Rubaiet Sharmeen Sornali has completed B.Arch from North South University (NSU) and is currently doing M.Arch from Bangladesh University of Engineering and Technology (BUET).

Contribution: Narrative.