
Illustration by Aniruddho Kabbo © CONTEXT
The project site is the Tejgaon-Kawran Bazaar railway edge, a critical seam within one of Dhaka’s key business districts. This high-density environment is defined by a diverse mix of industrial, institutional, residential, and commercial land uses, presenting three core challenges. First, physical division, where the railway and an elevated expressway act as barriers, isolating neighboring districts. Second, a severe vegetation deficit, with figure-ground studies showing less than 10% green cover in most areas. And third, thermal stress, with temperature maps revealing significant heat hotspots in built-up areas.


The project’s central vision is to “stitch” together the disconnected neighborhoods of Tejgaon and Kawran Bazaar by converting this underused infrastructural barrier into a vibrant civic space. It pursues three primary objectives: ecological connectivity, establishing a continuous green and blue network to combat urban heat island effects and strengthen local biodiversity; mobility integration, prioritizing non-motorized transport and pedestrians through a sinuous spine that parallels the rigid railway and road lines; and adaptive urbanism, deploying modular architectural “follies” to activate public spaces beneath and around the elevated structures.

Key design elements, such as the sinuous spine-a fluid path for pedestrians and cyclists that breaks the rigidity of the existing grid-create “pockets” for social interaction. Urban follies are introduced as modular structures categorized by intensity (compact, moderate, expansive) that serve as activators for rest, play, interaction, and movement. Plaza typologies involve transitioning from open ground-floor plazas in commercial zones to specialized “mosque plazas” and “truck stand road” reconfigurations, ensuring the design respects existing cultural and functional landmarks.

Far & block development strategies propose a radical shift in how building mass is distributed. Instead of the current trend of “filling the plot,” the DAP guidelines are recalibrated to trade vertical height for ground-level public space. Industrial blocks transform from “solid industrial” (high coverage, low permeability) to “fragmented industrial” massing. By increasing the allowable far but mandating a smaller footprint, the ground is “released” to become part of the green thread. Mixed-use scenarios (adaptive reuse) hollow out existing abandoned blocks to create internal courtyards, maintaining the industrial heritage while improving ventilation, light, and experience. Mouza-map-based plot allotment for smaller, irregular residential plots allows neighbors to pool land to create a shared “inner-block”. The green lung receives a higher buildable height in return.


Folly typologies are public space activators designed as 3d structural grids that can be “plugged into” the green corridor. Rather than permanent, static buildings, these act as flexible infrastructure that can evolve with the community’s needs. Compact follies (rest & move) are minimal footprint structures, often located in narrow transit points or dense intersections. They focus on vertical movement (stairs/ramps) and small shaded resting platforms. Moderate follies (play & interact) are situated in mid-sized urban pockets, which include tiered seating, small performance stages, or “urban playgrounds.” They bridge the gap between the fast-paced street and the quiet green zones. Expansive follies (ecological & social hubs) are large-scale compositions used where the corridor widens. They allow for “climbing” vegetation, community gardening, and multi-level public plazas that overlook the new water bodies or restored rail lines.



On May 19, 2026, the nation was shaken by the brutal murder of a child—a tragedy that exposed not only a heinous crime but also a deep-rooted social blight. While the case stands out as a sheer monument of horror, the incident was not an isolated act of evil. It was a symptom of a chronic disease: the complete breakdown of social trust in the densely packed urban housing culture. When a child is no longer safe in the arms of their own neighbors, the fundamental promise of community is shattered. This is the ultimate failure of the built environment.
But what makes our urban society increasingly violent? Recent studies observed that a radical cultural and social change is ongoing in Bangladesh (1). Citizens of Dhaka increasingly hold “proself” (individualistic, competitive) value orientations and interact far less frequently with their neighbors. Rather than fostering connections, today’s urban life has fractured into a silo of suspicion. As a result, societal responsibility for a child’s well-being has given way to self-interest and violence. In criminology, this cultural shift is seen as a key factor that fundamentally alters the context of lawbreaking. The motivation for crime veers toward pure self-interest, while social values and the collective will to intervene and prevent disorder are severely eroded.
The murderer and his associates are now in police custody. But, as citizens, do we really have faith in our judicial system? A similar incident occurred on May 21, 2026, in the Bakalia area of Chattogram, where a local shop employee was accused of sexually assaulting a four-year-old child. The outrage that ensued left dozens of people injured, and a police van was set on fire. What this fire revealed was more than just raw anger; it signaled a total breakdown of trust in the institutions that are supposed to protect the innocent. The reaction of the Bakalia mob was not an expression of mindless anger, but a volatile response to a deficit of public trust. When the state’s legal resources prove slow, dismissive, or compromised, public outrage inevitably spills onto the streets.
While escalating social crime has instilled widespread outrage, the slow, silent violence inflicted on public health through systematic neglect has become an even more serious concern. Today, our cities have become seasonal battlegrounds for diseases that could be prevented simply by responsible urban management and public health planning. In 2023, a horrifying dengue outbreak saw over 1,700 deaths nationwide, and approximately 1 in every 6 recorded deaths was a child (2). The majority of these cases concentrated in the unplanned, waterlogged urban areas. Poorly managed construction sites, stagnant water, and blocked drainage systems are more than infrastructure failures; they are a direct, lethal threat to public health. In a similar vein, the resurgence of measles—a completely preventable disease—highlights a miserable failure of public health authorities to reach the children it is mandated to protect. As of May 22, 2026, the death toll from this measles outbreak has risen to 488 children (3). This is mass murder. Who will be held responsible for such an insidious crime?
For a child’s physical and mental development, outdoor activity is non-negotiable. Yet, with the growing threat of abuse and kidnapping, urban parents no longer feel safe sending their children outside. Children in Dhaka have become prisoners in their own homes. Clinical studies reveal alarming trends: up to 80% of urban children in Bangladesh suffer from varying levels of Vitamin D deficiency, driven heavily by inadequate sun exposure, urban density, and enforced indoor lifestyles (4). Another study by the icddr,b reveals that more than four out of five children are at serious risk of developing mental health crises, including specific phobias, anxiety, depression, deliberate self-harm, and hyperactivity due to excessive screen use (5). Experts warn that reversing this trend requires a drastic increase in physical family activities and outdoor play.
Yet, our parks and playgrounds have been systematically stolen. For more than seven years, the city’s only government children’s park, Shishu Park in Shahbagh, has remained closed to the public for the sake of so-called “modernization.” Once the heart of childhood recreation in Dhaka, this unique place is now restricted. Dhaka’s playgrounds have suffered a similar fate. I remember playing at the Dhanmondi field as a child, when it was a green lung for the community. Today, that field has been ruthlessly encroached upon; its vast green expanse has been cut down for exclusive clubhouses and facilities that serve only a few. The same tragedy applies to countless other playgrounds, which have now become restricted compounds rather than public arenas.
According to a study by the Bangladesh Institute of Planners, Dhaka has only 235 playgrounds and parks against the required 2,400. Of the existing ones, only 42 are actually open to the public; the rest are restricted, either used by different institutions, or under housing colonies, or illegally occupied. Dhaka’s two city corporations control only 1.8% of the city’s usable playgrounds (6,7).
This is the grammar of a ruthless city: a slow, systematic encroachment orchestrated by political and economic power that converts a child’s birthright—the space to run and play—into an exclusive asset. Despite mass protests to protect playgrounds and a flood of new promises, no one truly advocated for our children. Consequently, the children’s voices remain unheard. The city sends them a clear, chilling message: you and your joy are not a priority.
The persistent fear of harassment and safety concerns severely limit the mobility of young girls and children. For a young girl, the urban street is an assault course of harassment, a free-fire zone for predators. When simply getting to school requires enduring daily physical and psychological violations, young girls are denied not just safety, but their basic right to learn. Plan International, a non-governmental development organization, reports that around 74% of female students in Bangladesh experience violence and harassment at educational institutions, and around 82% face harassment in public places (8). When asked why public spaces are so hostile, the majority of respondents stated that a fundamental lack of respect toward women in society is the sole driver.
This anti-child, anti-woman environment is not accidental; it is a structural feature of a city designed to ignore its most vulnerable population. Crucially, this urban environment is not a product of benign neglect, but of an active process of exclusion, driven by systematic erosion of empathy. This erosion of social empathy creates a condition in which harassment flourishes unchecked and becomes normalized, turning public spaces into arenas of threat. These are the symptoms of a ruthless city—one that does not see the child playing, the woman walking freely, or the elderly seeking a dignified corner for rest. It views them merely as a mass to be managed, a problem to be contained, or simply an obstacle to a “development” vision that only serves the powerful.
Our cities are not merely the products of poor planning; they are ruthlessly inhumane. This ruthlessness rarely stems from active hatred, but rather from structural injustice: a systematic refusal to recognize children and women as full citizens. In a metropolis that consistently prioritizes space for capital over space for play, this indifference becomes lethal. It acts as a slow, silent, extreme violence—a perfect instrument for reproducing inequality. And in its ultimate, brutal expression, this indifference becomes inseparable from hatred.
We must remember: a city’s greatness is measured not by its mega infrastructures, but by the freedom, safety, and dignity it grants its most vulnerable citizens. To build a humane urban future, we must realign our civic value to embrace the global demand for child-friendly and gender-inclusive urban planning. However, an inclusive city cannot be built in a vacuum of values; it is the physical manifestation of the community’s collective conscience, and the state’s commitment to deliver swift, certain, and equal justice. If the state and society continue to deny women and children their fundamental right to the city, we are doing more than compromising our present—we are actively poisoning the future.
Works cited:
(1) Chowdhury, A., 2023, “Cultural and social changes in BD: old and new realities,” The Financial Express,Dec 18, 2023
(2) Hasan MN, Rahman M, Uddin M, Ashrafi SAA, Rahman KM, Paul KK, Sarker MFR, Haque F, Sharma A, Papakonstantinou D, Paudyal P, Asaduzzaman M, Zumla A, Haider N. The 2023 fatal dengue outbreak in Bangladesh highlights a paradigm shift of geographical distribution of cases. Epidemiol Infect. 2025 Jan 7;153:e3. doi: 10.1017/S0950268824001791. PMID: 39763239; PMCID: PMC11704938.
(3) Dhaka Tribune, May 22, 2026, https://www.dhakatribune.com/bangladesh/health/410801/measles-outbreak-death-toll-488-as-seven-children
(4) Prothom Alo, Jun 8, 2024, https://en.prothomalo.com/bangladesh/1z6w7lba53
(5) The Daily Star, May 23, 2026, https://www.thedailystar.net/news/bangladesh/news/the-hidden-pandemic-4176196
(6) The Business Standard, 15 July, 2023; Source: https://www.tbsnews.net/bangladesh/authorities-unconcerned-children-lose-playgrounds-dhaka-665406;
(7) Prothom Alo, 16 May, 2026; Source: https://en.prothomalo.com/bangladesh/city/tjeerd63tm
(8) Plan International Bangladesh, 2021, An exploratory research on fear of violence among girls and young women in Bangladesh. https://plan-international.org/uploads/sites/72/2022/06/FoV_Exploratory-Research-on-Challenging-Fear-of-Violence.pdf
The City Center at Farmgate intersection is envisioned as a public-oriented urban hub that prioritizes pedestrian experience and accessibility. The design emphasizes multi-layered pedestrian networks—integrating ground-level plazas, elevated walkways, and underground concourses—to create seamless and safe connections across the site. By enhancing programmatic legibility, the project establishes a clear spatial hierarchy where commercial, cultural, and civic functions are intuitively organized for maximum engagement.



The proposed City Center is divided into three prominent programs – a shopping hub, office space, and low-cost hotel. While zoning the given site, these programs were placed according to the highest demand. Farmgate has a huge gathering of people as it is also a prominent nodal point where people from various areas gather. This also supports the growth of a shopping hub in the area. Flea markets are often set up along the pedestrian paths of Farmgate, attracting a huge number of passersby. Most of the hawkers are selling clothing and footwear.



The ground area is primarily serving as a shopping area, with both air-conditioned spaces and outdoor spaces, following the current demand of buyers. The plan is proposed as a pedestrian-dominant complex, enhancing programmatic legibility and clear circulation. As Farmgate lacks green space and is overcrowded, the built area is reduced to create well-connected breathing spaces at the node. These spaces allow for community gatherings, open vendor markets, or melas.
The design priorities focus on creating a highly accessible, community-centric, and sustainable architectural intervention. At its core, the project establishes a grand stair as a central point to ensure seamless public access throughout the site, complemented by a network of horizontal and vertical circulation paths that facilitate easy movement between floors. To manage site logistics, a new vehicular entry utilizes a roundabout system to streamline traffic flow and enhance safety.






Environmental sustainability is addressed by integrating photovoltaic systems directly into the building’s skin, which serves as functional screens to harvest energy from the site’s high solar exposure. Social equity is addressed through the inclusion of a low-budget hotel, specifically designed to be accessible to the local low-income community, fostering inclusivity rather than isolation.
Finally, the design culminates in a rooftop urban gathering space, providing a communal destination that serves both the building’s residents and the broader public, effectively extending the urban fabric upward.



Note on Title:
The original title of the project is Farmview City Centre: Shopping, Hotel & Office Hub at Farmgate. The title has been edited for web presentation. The content, scope, and intent remain unchanged.
Once known as “blue gold,” indigo fueled immense wealth for colonial powers and untold suffering for the people of Bengal. Over time, this fraught history has faded from public memory. This project seeks to reconnect the community with its roots, resurrecting a past where the deep blue dye shaped both the landscape and the lives within it.
The site is centered around an existing Neelkuthi in Khulna’s Nixon Market, dating back to 1808 AD. Recognized as the first modern infrastructure built in the city, it stands as a significant but fading remnant of the colonial indigo industry. This project proposes its preservation and adaptive reuse, transforming it into a museum, bazaar, and ghat. The tripartite intervention revives the structure’s historical identity while reactivating the site socially, culturally, and economically.








Concept
The project proposes a heritage corridor that re-stitches the fragmented memory of Khulna’s colonial, cultural, and trade history. It forges a continuous, experiential journey through time, connecting the proposed museum, the existing Neelkuthi, Boro Bazar, and the banks of the Rupsha River.





Museum
Conceived as the backdrop to the existing Neelkuthi, the proposed museum is a descent into the soil, a formal and symbolic return to Bengal’s agrarian life before colonial intervention. Its two wings, flanking the central block, are covered with water, evoking the river networks that once enabled both indigo cultivation and colonial control. The journey begins with an indigo garden, then compresses through a transitional tunnel—a spatial and emotional shift from harmony to oppression. From this threshold, the museum rises through five levels, narrating a chronological history: origin, cultivation, production, exploitation, and resistance. The experience culminates at its historic heart: Charlie’s Neelkuthi.



Neelkuthi
Built by Charlie, the existing Neelkuthi served as a processing hub and seat of administrative control. It was a place for detention and punishment for the resisting farmers. From such centers, indigo dye was stored and shipped to Europe. In this proposal, the Kuthi is reinterpreted from a place of fear into a space of truth, reflection, and learning. It portrays the history and lifetime activities of Charlie. Here, visitors engage with immersive storytelling through VR experiences, allowing them to visualize the past layered onto the present revealing histories of indigo, resistance, and eventual resilience.

Bazaar
Khulna’s historic Boro Bazar was once known as Charlie’s Haat, a major hub of indigo trade established under colonial rule. Today, it is a dense and chaotic marketplace. The proposal re-imagines a portion of the bazaar by keeping the ground level open and flexible, accommodating indigo processing and craft-based activities. Selected shops are dedicated to indigo and indigo-based products, reviving its historical identity. A network of courtyards, terraces, and open spaces is introduced to create active zones for interaction, exhibitions, workshops, and cultural fairs, enabling visitors to experience and engage with indigo heritage.






Ghat
The ghat, once a riverbank staging point for forced trade and exploitation, is reimagined as a public recreational and cultural space. The design reclaims a site of oppression as a place of gathering, reflection, and community connection, reknitting the people’s relationship with the Rupsha River and its layered history.

Through adaptive reuse and deliberate spatial narrative, the project does more than preserve a colonial structure—it reinterprets its very meaning. Shifting the narrative from one of power and control to one of awareness, reflection, and cultural revival, the project ultimately creates a platform where history is not just remembered, but experienced, questioned, and reclaimed by the community.


Note on Title
The original academic title of this final year academic project is Charlie’s Kuthi and the Indigo Legacy: A Museum of History, Craft, and Memory. It has been edited for web presentation. The content, scope, and intent remain unchanged.
The project “Shohochor” by ONA (Office of Native Architects) received an Honorable Mention in the design competition organized by WaterAid Bangladesh in 2025. The competition theme was Reviving Urban Waterbodies through Ecological and Social Engagement. Developed as a comprehensive, research-driven proposal, the project addresses ecological restoration, community engagement, and the redefinition of identity in neglected urban waterbodies. Through a design-led approach, “Shohochor” contributes to broader conversations on sustainable and context-responsive urban interventions, offering a replicable model for transforming forgotten landscapes into living companions within the city.
Any space becomes abandoned when it loses its purpose and abused when it loses its identity. In the quiet corner of Mohakhali, where the IPH pond lies, both had slowly faded. What was once a living waterbody had gradually slipped into the background of everyday urban life, reduced to little more than scenery, seen but not noticed, present yet forgotten. Yet water embodies the essence of life. Beneath the murky surface of the IPH pond, small signs of resilience remained. Fish still rippled through the water, bubbles rose from the depths, kingfishers perched along the edges, and cormorants dived in search of prey. Even in neglect, the ecosystem whispered that it was not gone, only waiting.

The project Shohochor, meaning “companion,” emerged from this quiet persistence and the idea of coexistence between nature and people. Rather than simply cleaning the pond, the proposal sought to renew its purpose and identity. A landscape survives when it becomes part of the lives that surround it; for the IPH pond to endure, it needed to rediscover both its ecological vitality and its social presence.

Situated within a complex urban fabric, the pond was bordered by roads linking Mohakhali Bazar to the ICDDRB campus. A low-income community of twelve families lived along one edge, each maintaining small garden spaces, while another edge was defined by a partially submerged mess hall with no clear boundary to the water. Daily life unfolded around the pond; residents fished, and children lingered, but the relationship remained fragile. Waste accumulated along the banks, responsibility remained contested, and the edges were often misused as dumping grounds or public latrines. Ecological infrastructure was almost absent; wetlands and natural filtration systems had disappeared, leaving the pond environmentally degraded yet still alive.
Through site visits, the project team studied spatial rhythms, user behavior, and ecological patterns. These observations were combined with insights from environmental experts and aquaculture specialists. Instead of relying on heavy technological interventions, the proposal explored low-cost, nature-based solutions to restore water quality and biodiversity.

At its core, the project approached the pond as a living landscape supporting both ecological systems and human activity. The transformation was envisioned as a phased process, beginning with collaboration between the landowner, managing institutions, and residents. Community participation formed a key strategy through cleaning drives, planting initiatives, and awareness building—fostering a sense of ownership and belonging. Ecological restoration was paired with social activation: wetlands and aquatic vegetation enhanced biodiversity, while bamboo walkways, seating, and landscape elements created spaces for gathering, recreation, and learning, inspired by the traditional “Machang” culture.

To ensure long-term sustainability, the proposal introduced small-scale economic opportunities, including a community-managed sport fishing club and local vending activities. These interventions not only activated the space but also contributed to its maintenance and viability.
Developed as part of a WaterAid design competition by ONA (Office of Native Architects), Shohochor extended beyond a single site. By framing restoration as a relationship rather than a purely technical intervention, the project highlighted the importance of reconnecting people with their landscapes. When communities participate in, care for, and benefit from these spaces, water bodies regain both purpose and identity, becoming living companions within the city: a “shohochor.”