Farashganj: A Lane of Spices and French Origin

19 July, 2025 Total View: 4110

Heritage walk of diversity, spices and local activity | Illustration: Nazia Zaman; analysis – Athena Rahman

The bustling street of Farashganj, once known as French-ganj, is a vibrant and chaotic lane dedicated to the trade of spices and their transportation. This street is anything but calm, with constant hustle and bustle as vendors and transporters navigate the narrow roads, dodging pedestrians while simultaneously loading and unloading trucks full of ginger, garlic, and other spices. It is a place where the rhythm of commerce never stops, and the air is thick with the sights, sounds, and scents of a marketplace in full swing.

Farashganj Road: Trail of spice market | Illustration: Nazia Zaman; analysis – Athena Rahman

Historically, Farashganj traces its roots back to the early 19th century when it was home to a large French community. In the 1830s, Nazim Nawazish Mohammad Khan granted permission to the French to set up a bazaar, or “Ganj,” in the area. This French settlement became a major center for the wholesale spice trade, attracting traders from across the region. The market quickly flourished, and the area became known for its spices, which were traded in large quantities. Farashganj served as a nexus for the spice trade, with the French community playing a key role in its development.

However, the French influence in the area was short-lived. In the early 19th century, the British East India Company took control of the region, leading to the decline of the French settlement. Despite this power shift, the legacy of Farashganj as a spice hub remains alive and well today. The area continues to serve as a prominent center for spice trade, although now with a distinctly local character shaped by the changing times.

What makes the Farashi Para (local area of Farashganj) especially interesting today is the blend of old-world charm and the rapid pace of modern commerce. The street, often referred to as B K Das Lane, connects several important thoroughfares in the neighborhood, and these lanes are integral to the life of the market. Such as R.M Das Lane, Keshab Banarjee Road and Sutrapur from east and Paridas Lane from north.

The spice markets themselves are located near the riverfront, which historically allowed for easier transportation of goods via waterways. This proximity to the river made it convenient for traders and vendors to receive shipments and communicate quickly with Bepari (wholesalers or merchants), facilitating the flow of spices in and out of the market.

Spice shops and villas | Illustration: Sambrita Khan; analysis – Athena Rahman

The walk through this area is not just a journey through a busy marketplace, but a step back in time. Starting from the Bahadur Shah Park bus stand, one heads south, eventually reaching Northbrook Hall, where the pulse of the market is most pronounced. As the walk continues, one can observe the hustle and bustle of the lanes, the street vendors, and the constant movement of goods. The entire area is alive with activity, giving a true sense of what life in Farashganj must have been like centuries ago.

Streetscapes of Busy Marketplace | Illustration: Sambrita Khan; analysis – Athena Rahman

As one walks along the street, the vibrancy of the place becomes apparent. The spice markets are actually opened towards the riverfront lane, for the ease of transporting goods through waterways and for vendors to communicate fast with the Bepari or Vendors. Loaders or carriers of the goods are parked just on the street.  Trucks and mini pick-up vans, loaded with crates of spices, line the street, and workers can be seen loading and unloading goods. The scene is hectic, with street vendors hawking their goods, while large-scale merchants conduct business with suppliers. Despite the commercial frenzy, there is an undeniable energy in the air, one that is rooted in a long tradition of spice trade and commerce.

Thoroughfare of Shayam bazar connecting with the river | Illustration: Sambrita Khan; analysis – Athena Rahman

The Farashi Para also features several historic landmarks, each contributing to the area’s unique character. Buildings such as Ruplal House, Northbrook Hall, Laxmi Villa, Bihari Lal Jeo Mandir, Bibi ka Raoza, Shiv Mandir, and Gokul Roy’s Samadhi reflect the rich cultural and architectural heritage of the area. The neighborhood weaves a rich architectural tapestry, where colonial influences blend seamlessly with local traditions—from Neoclassical-style verandas and Art Nouveau iron railings to Mughal-inspired solidity and elegant arched doorways. However, the effects of unplanned urbanization have left the area grappling with deteriorating infrastructure, congested streets filling with spice bazaar items and inadequate civic amenities, forcing the residents to rely on the streets for daily conveniences.

The streets of Farashganj, with constant movement, noise, and vibrant energy, offer a vivid snapshot of life. The chaotic atmosphere is balanced by the simple daily routines of its residents. People casually go about their daily routines with an effortless rhythm— surprisingly, these street activities are happening in the most underutilized corners that local finds. A plinth, perhaps the crumbling step of an abandoned house, or a setback becomes a stage for public life. Some brush their faces on the front porch, while others prepare for the morning prayer by watering Tulsi tree from the verandah. The Imam readies himself for namaz as the Purohit conducts the pujas. You might spot an elderly woman selling veneration flowers while vegetable hawkers display fresh produce behind a light pole. Parents hurry their sleepy children to school, and office-goers climb into rickshaws—all adding to the neighborhood’s lively rhythm. The streets hum with these simultaneous scenes of daily life.

From its French roots to its present-day status as a thriving spice market, Farashganj is a place where the past and present collide, and where the hustle of commerce continues to define its character.


Illustration by: Nazia Zaman and Sambrita Khan

ABOUT THE AUTHOR

Athena Rahman is an architecture graduate currently working as a Teaching Assistant in the Department of Architecture at BRAC University.

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